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Willows in Troubled Times: Ecology, Gender, and Apocalypses in Gong Xian's (1619-1689) Paintings and Theory
Translated title of the contribution
:
亂世之柳: 龔賢(1619-1689)繪畫及理論中的生態觀、性別與末世
Yizhou Wang
*
(Contributor)
*
Corresponding author for this work
Academy of Visual Arts
Research output
:
Contribution to conference
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Conference paper
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Dive into the research topics of '亂世之柳: 龔賢(1619-1689)繪畫及理論中的生態觀、性別與末世'. Together they form a unique fingerprint.
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Keyphrases
Gong
100%
Willow
100%
Poetry
20%
Art History
20%
Ming-Qing Transition
20%
Loyalists
20%
Apocalypse
20%
With Woman
10%
Time Change
10%
Painters
10%
Late Qing
10%
Seasonal Changes
10%
Evergreen
10%
Poet
10%
Sexuality
10%
Nanjing
10%
Buddhist
10%
Monks
10%
Indignation
10%
Cultural History
10%
Art Historians
10%
Gender Studies
10%
Confucian Scholar
10%
Femininity
10%
Willow Tree
10%
Transdisciplinary Approach
10%
17th Century
10%
Literary Studies
10%
Inscriptions
10%
Landscape Painting
10%
Ecocritical
10%
Gendered Division
10%
Painting Practice
10%
Political Symbolism
10%
Human-plant Interaction
10%
Human Figure
10%
Cypress
10%
Pine Tree
10%
Arts and Humanities
Gong
100%
Painting
80%
Ming
30%
Scholars
20%
Depiction
20%
Artists
20%
Art History
20%
loyalist
20%
Apocalypse
20%
Confucian
10%
Gender Studies
10%
Division
10%
Treatise
10%
Monk
10%
Indignation
10%
Cultural History
10%
Femininity
10%
art historians
10%
Iconic
10%
Transdisciplinary
10%
Flourishing
10%
Inscription
10%
17th Century
10%
Literary Studies
10%
Lifespan
10%
Landscape painting
10%
Cataclysm
10%
Pine
10%
human figure
10%
Political Symbolism
10%