Abstract
This article focuses on the historical use and meanings of early modern oaths
(Jp. kishōmon 起請文). These materially hybrid texts were initially stamped (on one
side) and then inscribed by hand in ink (on the other side), often even in blood. Since they are an inextricable combination of print and handwriting, they complicate such dichotomies and open up a series of issues central to the understanding of scribal practices in early modern Japan. This article moves beyond their content analysis to address issues of materiality and agency along with the relationship between orality, writing and bodily practices.
(Jp. kishōmon 起請文). These materially hybrid texts were initially stamped (on one
side) and then inscribed by hand in ink (on the other side), often even in blood. Since they are an inextricable combination of print and handwriting, they complicate such dichotomies and open up a series of issues central to the understanding of scribal practices in early modern Japan. This article moves beyond their content analysis to address issues of materiality and agency along with the relationship between orality, writing and bodily practices.
Original language | English |
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Pages (from-to) | 46-72 |
Number of pages | 27 |
Journal | East Asian Publishing and Society |
Volume | 12 |
Issue number | 1 |
DOIs | |
Publication status | Published - 7 Feb 2022 |
Scopus Subject Areas
- Cultural Studies
- Religious studies
- History
- Visual Arts and Performing Arts
- Literature and Literary Theory
- Communication
- Library and Information Sciences
- Media Technology
User-Defined Keywords
- agency
- early modern
- Japan
- kishōmon
- materiality