Abstract
This chapter presents a study of the articulation and implementation of Hong Kong’s cultural and creative industries policies. Since the 1990s, the development of Hong Kong’s economy has been dictated by the goal of becoming an international financial hub. The government claimed that it would take a laissez-faire approach and uphold a capitalistic free market. In recent years, various governments and academic institutes have grown increasingly concerned about the development of creative industries. This was mainly attributable to the decline of traditional economic industries, while the economic value of “culture and creativity” gained recognition - giving rise to the idea that symbolic value is more profitable than physical value. In Hong Kong, cultural and creative industry policies are mainly industry policies, and the implementation of such policies leans towards production and industry structure. It is generally agreed that the concept of “creative industry” began to have an impact on government policy and academic research after 1997.
| Original language | English |
|---|---|
| Title of host publication | The Routledge Handbook of Global Cultural Policy |
| Editors | Victoria Durrer, Toby Miller, Dave O'Brien |
| Publisher | Taylor and Francis |
| Chapter | 23 |
| Pages | 355-364 |
| Number of pages | 10 |
| Edition | 1st |
| ISBN (Electronic) | 9781315718408 |
| ISBN (Print) | 9781138857827, 9780367244163 |
| DOIs | |
| Publication status | Published - 22 Sept 2017 |
Publication series
| Name | The Routledge International Handbook Series |
|---|---|
| Publisher | Routledge Taylor & Francis Group |
UN SDGs
This output contributes to the following UN Sustainable Development Goals (SDGs)
-
SDG 8 Decent Work and Economic Growth
Fingerprint
Dive into the research topics of 'Too-explicit cultural policy: Rethinking cultural and creative industry policies in Hong Kong'. Together they form a unique fingerprint.Cite this
- APA
- Author
- BIBTEX
- Harvard
- Standard
- RIS
- Vancouver