The Three Epochs of Hong Kong Lolita Subculture: Cultural Hybridization and Identity Construction

Shuk Fan Fanny Wong*, Wai Sum Amy Lee

*Corresponding author for this work

    Research output: Contribution to journalJournal articlepeer-review

    2 Citations (Scopus)

    Abstract

    Lolita is identified as a female oriented subculture phenomenon which came about in the 1990s in Harajuku, Japan. Youths in Hong Kong, because culturally and geographically in close proximity to Japan, will usually adapt their neighboring city Tokyo’s cultural movements. This paper explores the development, meaning, significance of Lolita phenomena in Hong Kong from the postmodern historical and socio-cultural points of view. By assembling and examining the ethnographic data from face-to-face interviewees and materials from online resources between 2014 and 2017, we reviewed and proposed that there are three major epochs of Lolita subculture development in Hong Kong. The study concludes that the changes in online practices over the past two decades lead to the transformation of Lolita identity within the group. It also indicates that the development of Hong Kong Lolita subculture shows a positive impact of cultural hybridization. Moreover, through the active practice on virtual platforms, the group creates an imagined community for the participants to share their beliefs and dreams freely.

    Original languageEnglish
    Pages (from-to)87-105
    Number of pages19
    JournalIAFOR Journal of Cultural Studies
    Volume6
    Issue number1
    DOIs
    Publication statusPublished - 14 Jul 2021

    Scopus Subject Areas

    • Cultural Studies
    • Anthropology
    • Arts and Humanities(all)
    • Social Sciences (miscellaneous)

    User-Defined Keywords

    • cultural hybridization
    • gender performance
    • Hong Kong Lolita
    • personal identity
    • subcultural history
    • subculture

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