The ‘Naturalist’ Treatment of Film in The Specificity of the Aesthetic (Georg Lukács, 1963) and One Day in the Life of Ivan Denisovich (Alexander Solzhenitsyn, 1962; Caspar Wrede, 1970)

Ian Aitken

The ‘Naturalist’ Treatment of Film in The Specificity of the Aesthetic (Georg Lukács, 1963) and One Day in the Life of Ivan Denisovich (Alexander Solzhenitsyn, 1962; Caspar Wrede, 1970)

Ian Aitken^*

^*Corresponding author for this work

Academy of Film

Research output: Chapter in book/report/conference proceeding › Chapter › peer-review

1 Citation (Scopus)

Original language	English
Title of host publication	The Major Realist Film Theorists
Subtitle of host publication	A Critical Anthology
Editors	Ian Aitken
Publisher	Edinburgh University Press
Chapter	9
Pages	156-171
Number of pages	16
ISBN (Electronic)	9781474402224, 9781474413718
ISBN (Print)	9781474402217, 9781474425964
Publication status	Published - 31 May 2016

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https://www.jstor.org/stable/10.3366/j.ctt1bh2k1w.12

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Aitken, I. (2016). The ‘Naturalist’ Treatment of Film in The Specificity of the Aesthetic (Georg Lukács, 1963) and One Day in the Life of Ivan Denisovich (Alexander Solzhenitsyn, 1962; Caspar Wrede, 1970). In I. Aitken (Ed.), The Major Realist Film Theorists: A Critical Anthology (pp. 156-171). Edinburgh University Press. https://www.jstor.org/stable/10.3366/j.ctt1bh2k1w.12

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title = "The {\textquoteleft}Naturalist{\textquoteright} Treatment of Film in The Specificity of the Aesthetic (Georg Luk{\'a}cs, 1963) and One Day in the Life of Ivan Denisovich (Alexander Solzhenitsyn, 1962; Caspar Wrede, 1970)",

author = "Ian Aitken",

note = "I would like to acknowledge the financial support of Hong Kong Baptist University School of Communication.",

year = "2016",

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Aitken, I 2016, The ‘Naturalist’ Treatment of Film in The Specificity of the Aesthetic (Georg Lukács, 1963) and One Day in the Life of Ivan Denisovich (Alexander Solzhenitsyn, 1962; Caspar Wrede, 1970). in I Aitken (ed.), The Major Realist Film Theorists: A Critical Anthology. Edinburgh University Press, pp. 156-171. <https://www.jstor.org/stable/10.3366/j.ctt1bh2k1w.12>

The ‘Naturalist’ Treatment of Film in The Specificity of the Aesthetic (Georg Lukács, 1963) and One Day in the Life of Ivan Denisovich (Alexander Solzhenitsyn, 1962; Caspar Wrede, 1970). / Aitken, Ian.
The Major Realist Film Theorists: A Critical Anthology. ed. / Ian Aitken. Edinburgh University Press, 2016. p. 156-171.

Research output: Chapter in book/report/conference proceeding › Chapter › peer-review

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The ‘Naturalist’ Treatment of Film in The Specificity of the Aesthetic (Georg Lukács, 1963) and One Day in the Life of Ivan Denisovich (Alexander Solzhenitsyn, 1962; Caspar Wrede, 1970)

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