The Mummy Series and World-Historical Heroes

Magdalen Wing Chi Ki*

*Corresponding author for this work

Research output: Chapter in book/report/conference proceedingChapterpeer-review

Abstract

Hegel classifies humans into heroes, citizens, individuals, and victims, with heroes being god-emperors and builders of nation and empires. As larger-than-life characters, mummies are often world-historical heroes linked to oriental despotism, and their return triggers the fear of despotism in modern times. Since mummies unleash chaos in an attempt to reset the world order, The Mummy Trilogy (1999–2008) invites audiences to problematize tyranny on the one hand and revisit the contemporary view that posits civilizational wars along religious and cultural boundaries on the other. In the movie series, citizens from different countries form alliances to defend civil society and individuals rely on their moral sense to resist dark powers. The restoration of peace signals the subduing of world-making heroism, but the disappearance of mummies merely highlights their lurking presence.

Original languageEnglish
Title of host publicationThe Myriad Faces of Heroes and Heroines
Subtitle of host publicationFolkloric Tradition and Modern Contemporaries in Asia
EditorsJulian Patrick Ward, Kelly Kar Yue Chan, Chi Sum Garfield Lau
PublisherSpringer
Chapter10
Pages173-193
Number of pages21
Edition1st
ISBN (Electronic)9789819789597
ISBN (Print)9789819789580, 9789819789610
DOIs
Publication statusPublished - 31 Mar 2025

Publication series

NameAsia in Transition
PublisherSpringer Singapore
Volume28
ISSN (Print)2364-8252
ISSN (Electronic)2364-8260

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