Abstract
This chapter focuses on interactive tools for musical composition which, through computational means, have some degree of autonomy in the creative process. This can engender two distinct benefits: extending our practice through new capabilities or trajectories, and reflecting our existing behaviour, thereby disrupting habits or tropes that are acquired over time. We examine these human-computer partnerships from a number of perspectives, providing a series of taxonomies based on a systems behavioural properties, and discuss the benefits and risks that such creative interactions can provoke.
| Original language | English |
|---|---|
| Title of host publication | Computers and Creativity |
| Editors | Jon McCormack, Mark d’Inverno |
| Publisher | Springer Berlin Heidelberg |
| Chapter | 7 |
| Pages | 175-203 |
| Number of pages | 29 |
| Edition | 1st |
| ISBN (Electronic) | 9783642317279 |
| ISBN (Print) | 364231726X, 9783642317262 |
| DOIs | |
| Publication status | Published - 21 Aug 2012 |