The Design of Future Music Technologies: ‘Sounding Out’ AI, Immersive Experiences & Brain Controlled Interfaces

Alan Chamberlain; Mads Bødker; Maria Elina Kallionpää; Richard Ramchurn; David De Roure; Steve Benford; Alan Dix

The Design of Future Music Technologies: ‘Sounding Out’ AI, Immersive Experiences & Brain Controlled Interfaces

Alan Chamberlain
, Mads Bødker
, Maria Elina Kallionpää
, Richard Ramchurn
, David De Roure
, Steve Benford
, Alan Dix

Academy of Music

Research output: Contribution to conference › Conference paper › peer-review

Abstract

This workshop examines the interplay between people, musical instruments, performance and technology. Now, more than ever technology is enabling us to augment the body, develop new ways to play and perform, and augment existing instruments that can span the physical and digital realms. By bringing together performers, artists, designers and researchers we aim to develop new understandings how we might design new performance technologies.Participants will be actively encouraged to participant, engaging with other workshop attendees to explore concepts such as; immersion, augmentation, emotion, physicality, data, improvisation, provenance, curation, context and temporality, and the ways that these might be employed and unpacked in respect to both performing and understanding interaction with new performance-based technologies that relate to the core themes of immersion and emotion.A web site with more information about the workshop can be found here (http://futuremusicdesign.tumblr.com).

Original language	English
Publication status	Published - 14 Sept 2018
Event	2018 International Audio Mostly Conference - A Conference on Interaction with Sound: Sound in Immersion and Emotion, AM 2018 - Wrexham Glyndŵr University, Wrexham, United Kingdom Duration: 12 Sept 2018 → 14 Sept 2018 https://audiomostly.com/2018/conference-programme/ (Conference Program)

Conference

Conference	2018 International Audio Mostly Conference - A Conference on Interaction with Sound: Sound in Immersion and Emotion, AM 2018
Country/Territory	United Kingdom
City	Wrexham
Period	12/09/18 → 14/09/18
Internet address	https://audiomostly.com/2018/conference-programme/ (Conference Program)

Cite this

Chamberlain, A., Bødker, M., Kallionpää, M. E., Ramchurn, R., De Roure, D., Benford, S., & Dix, A. (2018). The Design of Future Music Technologies: ‘Sounding Out’ AI, Immersive Experiences & Brain Controlled Interfaces. Paper presented at 2018 International Audio Mostly Conference - A Conference on Interaction with Sound: Sound in Immersion and Emotion, AM 2018, Wrexham, United Kingdom.

@conference{3b5b0105b1f144ba914b9cbc9518881f,

title = "The Design of Future Music Technologies: {\textquoteleft}Sounding Out{\textquoteright} AI, Immersive Experiences \& Brain Controlled Interfaces",

abstract = "This workshop examines the interplay between people, musical instruments, performance and technology. Now, more than ever technology is enabling us to augment the body, develop new ways to play and perform, and augment existing instruments that can span the physical and digital realms. By bringing together performers, artists, designers and researchers we aim to develop new understandings how we might design new performance technologies.Participants will be actively encouraged to participant, engaging with other workshop attendees to explore concepts such as; immersion, augmentation, emotion, physicality, data, improvisation, provenance, curation, context and temporality, and the ways that these might be employed and unpacked in respect to both performing and understanding interaction with new performance-based technologies that relate to the core themes of immersion and emotion.A web site with more information about the workshop can be found here (http://futuremusicdesign.tumblr.com).",

author = "Alan Chamberlain and Mads B{\o}dker and Kallionp{\"a}{\"a}, \{Maria Elina\} and Richard Ramchurn and \{De Roure\}, David and Steve Benford and Alan Dix",

year = "2018",

month = sep,

day = "14",

language = "English",

note = "2018 International Audio Mostly Conference - A Conference on Interaction with Sound: Sound in Immersion and Emotion, AM 2018 ; Conference date: 12-09-2018 Through 14-09-2018",

url = "https://audiomostly.com/2018/conference-programme/",

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Chamberlain, A, Bødker, M, Kallionpää, ME, Ramchurn, R, De Roure, D, Benford, S & Dix, A 2018, 'The Design of Future Music Technologies: ‘Sounding Out’ AI, Immersive Experiences & Brain Controlled Interfaces', Paper presented at 2018 International Audio Mostly Conference - A Conference on Interaction with Sound: Sound in Immersion and Emotion, AM 2018, Wrexham, United Kingdom, 12/09/18 - 14/09/18.

The Design of Future Music Technologies: ‘Sounding Out’ AI, Immersive Experiences & Brain Controlled Interfaces. / Chamberlain, Alan; Bødker, Mads; Kallionpää, Maria Elina et al.
2018. Paper presented at 2018 International Audio Mostly Conference - A Conference on Interaction with Sound: Sound in Immersion and Emotion, AM 2018, Wrexham, United Kingdom.

Research output: Contribution to conference › Conference paper › peer-review

TY - CONF

T1 - The Design of Future Music Technologies

T2 - 2018 International Audio Mostly Conference - A Conference on Interaction with Sound: Sound in Immersion and Emotion, AM 2018

AU - Chamberlain, Alan

AU - Bødker, Mads

AU - Kallionpää, Maria Elina

AU - Ramchurn, Richard

AU - De Roure, David

AU - Benford, Steve

AU - Dix, Alan

PY - 2018/9/14

Y1 - 2018/9/14

N2 - This workshop examines the interplay between people, musical instruments, performance and technology. Now, more than ever technology is enabling us to augment the body, develop new ways to play and perform, and augment existing instruments that can span the physical and digital realms. By bringing together performers, artists, designers and researchers we aim to develop new understandings how we might design new performance technologies.Participants will be actively encouraged to participant, engaging with other workshop attendees to explore concepts such as; immersion, augmentation, emotion, physicality, data, improvisation, provenance, curation, context and temporality, and the ways that these might be employed and unpacked in respect to both performing and understanding interaction with new performance-based technologies that relate to the core themes of immersion and emotion.A web site with more information about the workshop can be found here (http://futuremusicdesign.tumblr.com).

AB - This workshop examines the interplay between people, musical instruments, performance and technology. Now, more than ever technology is enabling us to augment the body, develop new ways to play and perform, and augment existing instruments that can span the physical and digital realms. By bringing together performers, artists, designers and researchers we aim to develop new understandings how we might design new performance technologies.Participants will be actively encouraged to participant, engaging with other workshop attendees to explore concepts such as; immersion, augmentation, emotion, physicality, data, improvisation, provenance, curation, context and temporality, and the ways that these might be employed and unpacked in respect to both performing and understanding interaction with new performance-based technologies that relate to the core themes of immersion and emotion.A web site with more information about the workshop can be found here (http://futuremusicdesign.tumblr.com).

M3 - Conference paper

Y2 - 12 September 2018 through 14 September 2018

ER -

Chamberlain A, Bødker M, Kallionpää ME, Ramchurn R, De Roure D, Benford S et al.. The Design of Future Music Technologies: ‘Sounding Out’ AI, Immersive Experiences & Brain Controlled Interfaces. 2018. Paper presented at 2018 International Audio Mostly Conference - A Conference on Interaction with Sound: Sound in Immersion and Emotion, AM 2018, Wrexham, United Kingdom.

The Design of Future Music Technologies: ‘Sounding Out’ AI, Immersive Experiences & Brain Controlled Interfaces

Abstract

Conference

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