@book{786e4a3365604e2da9150f68b707972f,
title = "The British Official Film in South-East Asia: Malaya/Malaysia, Singapore and Hong Kong",
abstract = "This book explores the ways in which the British official film was used in Malaya/Malaysia, Singapore and Hong Kong from 1945 to the 1970s. Aitken uncovers how the British official film, and British official information agencies, adapted to the epochal contexts of the Cold War and end of empire. In addition to an extensive introduction, which touches on a number of critical issues related to the post-war British official film, the book provides an account of how the tradition of film-making associated with the British documentary film movement spread into the region during the post-war period, and how that tradition was contested by a {\textquoteleft}Colonial Office{\textquoteright} tradition of film-making. The volume concludes by covering the rise of television in the region within the context of developing post-colonial authoritarian states in Singapore and Malaysia, and the continuation of colonial authoritarianism in Hong Kong.",
keywords = "Documentary, Hong Kong, Singapore, Malaysia, Official film, Cold War, Grierson",
author = "Ian Aitken",
note = "This research project was also informed by three conferences which I hosted at Hong Kong Baptist University in 2009, 2012 and 2013: (1) {\textquoteleft}Hong Kong Documentary Film, the Regional Context and Theoretical Perspectives{\textquoteright}; (2) {\textquoteleft}Public Service Film-making in Hong Kong, the Hong Kong Film Unit and RTHK, and the Influence of the Griersonian and British Colonial Official Film on the Region and Beyond{\textquoteright} (2012); and (3) {\textquoteleft}The Documentary Film in South and South-East Asia Conference{\textquoteright} (2013). These conferences became a forum for discussion on the colo- nial official film, and, given that, I would like thank the following for presentations which had an influence on this book: Tom Rice, Brian Winston, Michael Ingham, Tim Barnard, Peter Bloom, Camille Deprez, Jane Landman, Rosaleen Smyth, Scott Anthony, Deane Williams, Hassan Abdul Muthalib, and others. I would also like to acknowledge the following funding awards: HKBU School of Communication, for conference support for the three conferences referred to above (IAS 12-13/06, and IAS 11-12/01); and also IAS 12-13/03, for the {\textquoteleft}Documentary Film Research Programme{\textquoteright}; and IAS 11-12/02, for {\textquoteleft}Documentary Film in Hong Kong{\textquoteright}. HKBU FRG1/15-16/028: British official information and film activity in Malaya and Singapore 1957-65, the development of television, and evolution of the Malayan Film Unit HKBU FRG2/14-15/078: An analysis of primary data relating to British official information and film activity in Malaysia, Singapore and Hong Kong during the 1960s, focusing on the role played by the United Kingdom Information Services, British Information Services and the British Council HKBU FRG1/14-15/049: British official information and film activity in Malaysia, Singapore and Hong Kong during the 1960s: The Role of United Kingdom Information Services, British Information Services and the British Council. HKBU FRG1/13-14/044: A Study of the 1960 Singaporean Official Film Series Berita Singapura. RGC GRF 24111: The Colonial Film Units of Hong Kong, Singapore and Malaysia, and the Influence of British Official Film-making. RGC GRF 240213: A Study of the 1960s Singaporean Official Film Series Berita Singapura",
year = "2016",
month = nov,
day = "22",
doi = "10.1057/978-1-137-49344-6",
language = "English",
isbn = "9781137493439",
publisher = "Palgrave Macmillan",
edition = "1st",
}