TY - JOUR
T1 - Television documentary film in Hong Kong
T2 - The case of Hong Kong's two terrestrial television broadcasters
AU - Aitken, Ian
N1 - Funding information:
This work was supported by the Hong Kong Research Grants Council [RGC GRF 240112] Hong Kong Baptist University Research Committee [HKBU Conference Grant RC-Conf/12-13/08], and the HKBU School of Communication GRF Incentive Grant Scheme.
PY - 2015/1/1
Y1 - 2015/1/1
N2 - Hong Kong's two terrestrial broadcasters, Asia Television (ATV) and Television Broadcasts Ltd. (TVB), are uncharacteristic of other broadcasters in a number of respects, and this influences the documentary films that they produce. This unusual aspect is largely due to Hong Kong's almost unique situation as a Western non-democratic British colony in the East which went on under duress to become a component entity of an Eastern totalitarian communist State. Though this colonial and post-colonial totalitarian context rarely affected documentary film-makers at ATV and TVB in a blatant manner, and broadcasting staff within the organisations also resisted political encroachment when it arrived, that context nevertheless ensured that restrictions were placed upon the ability of the film-makers to produce critical, impactful films. This article will first explore how these two broadcasters can be associated with models of relations between the media and the state. The relationship to mainland China will then be referred to. Following this, an outline of the television documentary films of these broadcasters will be given, before a more in-depth account of particular films is provided. The article will conclude via reference to Habermas' notion of the public sphere, and by offering proposals for change and improvement to this broadcasting output.
AB - Hong Kong's two terrestrial broadcasters, Asia Television (ATV) and Television Broadcasts Ltd. (TVB), are uncharacteristic of other broadcasters in a number of respects, and this influences the documentary films that they produce. This unusual aspect is largely due to Hong Kong's almost unique situation as a Western non-democratic British colony in the East which went on under duress to become a component entity of an Eastern totalitarian communist State. Though this colonial and post-colonial totalitarian context rarely affected documentary film-makers at ATV and TVB in a blatant manner, and broadcasting staff within the organisations also resisted political encroachment when it arrived, that context nevertheless ensured that restrictions were placed upon the ability of the film-makers to produce critical, impactful films. This article will first explore how these two broadcasters can be associated with models of relations between the media and the state. The relationship to mainland China will then be referred to. Following this, an outline of the television documentary films of these broadcasters will be given, before a more in-depth account of particular films is provided. The article will conclude via reference to Habermas' notion of the public sphere, and by offering proposals for change and improvement to this broadcasting output.
UR - http://www.scopus.com/inward/record.url?scp=84944199227&partnerID=8YFLogxK
U2 - 10.1080/17503280.2015.1031563
DO - 10.1080/17503280.2015.1031563
M3 - Journal article
AN - SCOPUS:84944199227
SN - 1750-3280
VL - 9
SP - 95
EP - 113
JO - Studies in Documentary Film
JF - Studies in Documentary Film
IS - 2
ER -