Set-Classes, 12-Tone Rows, and Tonality in the Third Movement of Samuel Barber’s Piano Sonata: The Non-Duality of Tonality and Atonality

Christopher J Keyes

Set-Classes, 12-Tone Rows, and Tonality in the Third Movement of Samuel Barber’s Piano Sonata: The Non-Duality of Tonality and Atonality

Christopher J Keyes

Academy of Music

Research output: Contribution to journal › Journal article › peer-review

Original language	English
Pages (from-to)	9-15
Number of pages	7
Journal	20th Century Music
Volume	5
Issue number	8
Publication status	Published - Aug 1998

Cite this

@article{8f1f1ebf882149c6aec8a77496406e51,

title = "Set-Classes, 12-Tone Rows, and Tonality in the Third Movement of Samuel Barber{\textquoteright}s Piano Sonata: The Non-Duality of Tonality and Atonality",

author = "Keyes, {Christopher J}",

year = "1998",

month = aug,

language = "English",

volume = "5",

pages = "9--15",

journal = "20th Century Music",

issn = "1085-5505",

publisher = "20th Century Music",

number = "8",

}