Sensibility in Haydn's Topical Art

Keri Hui*

*Corresponding author for this work

Research output: Contribution to journalJournal articlepeer-review

Abstract

In Haydn's keyboard music, sensibility displays distinct localized manifestations, and it also proves its capability toencompass severalmusical signifiers. By examining and contextualizing the use of the sigh, the tempesta, and the toccata topos in Haydn's keyboard sonatas Hob. XVI:20, 49, and 46, this article aims both to demonstrate that sensibility may be signified bymultiple topics and to call attention to the value of studyingHaydn's topical art. The three topics in Haydn's keyboard sonatas each reveal a particular facet of sensibility, thereby testifying to the rich complexity of this human quality much cherished in the eighteenth century.

Original languageEnglish
Pages (from-to)432-468
Number of pages37
JournalJournal of Musicology
Volume39
Issue number4
DOIs
Publication statusPublished - Sept 2022

Scopus Subject Areas

  • Music

User-Defined Keywords

  • Haydn
  • topic theory
  • sensibility
  • Empfindsamkeit
  • fantasia
  • tempesta

Fingerprint

Dive into the research topics of 'Sensibility in Haydn's Topical Art'. Together they form a unique fingerprint.

Cite this