Remediating the Star Body: Donnie Yen’s Kung Fu Persona in Hypermedia

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Latest decades have witnessed the proliferation of digital media in Hong Kong action-based genre films, elevating the graphical display of screen action to new levels. While digital effects are tools to assist the action performance of non-kung fu actors, Dragon Tiger Gate (2006), a comic-turned movie, becomes a case-in-point that it applies digitality to Yen, a celebrated kung fu star who is famed by his genuine martial dexterity. In the framework of remediation, this essay will explore how the digital media intervene of the star construction of Donnie Yen. As Dragon Tiger Gate reveals, technological effects work to refashion and repurpose Yen’s persona by combining digital effects and the kung fu body. While the narrative of pain and injury reveals the attempt of visual immediacy, the hybridized bodily representation evokes awareness more to the act of representing kung fu than to the kung fu itself. The analysis will, thus, argue Yen’s choreographic image becomes an instance of hypermedia, questioning the “real” kung fu and demonstrating the power of mediation in the digital era.
Original languageEnglish
Pages (from-to)90-98
Number of pages9
JournalStudies in Media and Communication
Issue number2
Early online date24 Oct 2016
Publication statusPublished - Dec 2016

User-Defined Keywords

  • remediation
  • hypermediacy
  • Donnie Yen
  • kung fu body
  • authenticity
  • stardom
  • digital effect


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