Abstract
The artwork builds on artist Samuel Swope’s experience working with controlled and autonomous robotic systems, particularly with custom-made aerial drones, as performing entities. Collaborating with contemporary-movement choreographer, Sudhee Liao, the performance features a cast of modified robotic lawnmowers currently in use at the performance site, the historic Fort Canning Park in Singapore. These robotic performers will draw on diverse influences, ranging from traditional and contemporary dance and movement practices, swarm choreography, and the movement of robotic entities used for menial and repetitive labour.
Through this intervention into public space, Swope and Liao will reflect on the evolution of contemporary movement practices, positioning the moving body in response to the automation of image-based artistic practices, automation of labour, and the potential roles and limitations imposed on non-human entities in an anthropocentric, productivity-driven society.
Performers: Phiz Nasrudin, Jack Ng
This outdoor performance was a pre-Biennale activation, presented as part of the upcoming Singapore Biennale 2025.
Through this intervention into public space, Swope and Liao will reflect on the evolution of contemporary movement practices, positioning the moving body in response to the automation of image-based artistic practices, automation of labour, and the potential roles and limitations imposed on non-human entities in an anthropocentric, productivity-driven society.
Performers: Phiz Nasrudin, Jack Ng
This outdoor performance was a pre-Biennale activation, presented as part of the upcoming Singapore Biennale 2025.
Original language | English |
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Media of output | Other |
Publication status | Published - 18 Jan 2025 |
Event | Singapore Art Week 2025 - , Singapore Duration: 17 Jan 2025 → 26 Jan 2025 https://www.artweek.sg/ |
User-Defined Keywords
- Robotic art
- Sonification
- Contemporary dance
- Wearable technology
- Differential drive
- Non-human
- Labour
- Land art
- Human-robot interaction