Radical Intangibles: Materializing the Ephemeral

Arts and Humanities

• Ephemeral 100%
• Intangibles 100%
• Intangible Cultural Heritage 100%
• Hong Kong 60%
• Digital 40%
• Materiality 40%
• New Materialism 40%
• China 20%
• Spatial 20%
• Oral History 20%
• Confucian 20%
• Beijing 20%
• Discourse 20%
• Foreground 20%
• Communities of Practices (CoPs) 20%
• Temporal 20%
• Vocal Music 20%
• Orthodoxy 20%
• 19th Century 20%
• Interactive 20%
• Curation 20%
• Virtual Reality 20%
• New paradigm 20%
• Artificial Intelligence 20%
• Video Recordings 20%
• audio recordings 20%
• Performing Art 20%
• Museology 20%
• Corporeality 20%
• Object Biography 20%
• Living Archive 20%
• Embodied Practice 20%
• Systems thinking 20%
• Century museum 20%

Keyphrases

• Intangible Cultural Heritage 100%
• Hong Kong 50%
• Museum 33%
• New Materialism 33%
• China 16%
• Oral History 16%
• Graphic Model 16%
• Heritage 16%
• Virtual Reality 16%
• Communities of Practice 16%
• Artificial Intelligence 16%
• Computer Graphics 16%
• Project-based 16%
• Orthodoxy 16%
• Nineteenth Century 16%
• Martial Arts 16%
• Perspective Approaches 16%
• Transmission Mode 16%
• Performing Arts 16%
• Rite 16%
• Spatial Modeling 16%
• Interactive Interface 16%
• Curatorial Project 16%
• Museum Exhibitions 16%
• Video Recording 16%
• Technical Complexity 16%
• Digital Materiality 16%
• Audio Recording 16%
• Historiographic 16%
• Museology 16%
• Corporeality 16%
• Data Curation 16%
• Data Ontology 16%
• Digital Paradigm 16%
• Tool-Being 16%
• Systems Thinking Approach 16%
• Embodied Participation 16%
• Cultural Heritage Materials 16%
• Tsinghua University 16%
• Embodied Practice 16%
• Object-based Audio 16%
• Linear Approach 16%
• UNESCO Convention 16%
• Immersive Interface 16%
• Material Forces 16%
• Temporal Modeling 16%
• Living Archives 16%
• Object Biography 16%