Racialized Masculinities: The “Flawed” AfroAsian Brothers in Rush Hour Series

Shun Man Emily Chow-Quesada*

*Corresponding author for this work

Research output: Chapter in book/report/conference proceedingChapterpeer-review

Abstract

This chapter examines the representations of AfroAsian brotherhood and its cultural significance in the Rush Hour trilogy (1998, 2001, 2007). The comedic plots of the films revolve around Lee, a Hong Kong policeman played by Jackie Chan, and his partner, Carter, a Los Angeles police officer played by Chris Tucker. Although the movies are different from each other in terms of setting, they all feature the bonding surrounding an AfroAsian brotherhood and the subsequent overlapping racialization of masculinities. This chapter studies the gazes used by the filmmakers when depicting the characters to interrogate this cross-racial bromance. It is an inquiry into the dynamics of the relational masculinities of the protagonists. By looking at the mise-en-scène and characterization used in these movies, the chapter presents the cultural significance of the blockbusters by examining the racialized bromance within Hollywood cinematic representations of AfroAsian bonds.

Original languageEnglish
Title of host publicationQueer and Femme Gazes in AfroAsian American Visual Culture
EditorsRebecca Kumar, Seulghee Lee
PublisherPalgrave Macmillan
Pages63-85
Number of pages23
Edition1st
ISBN (Electronic)9783031676987
ISBN (Print)9783031676970, 9783031677007
DOIs
Publication statusPublished - 1 Dec 2024

User-Defined Keywords

  • AfroAsian
  • Bromance
  • Hollywood
  • Masculinities
  • Race
  • Representations

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