…qui s'enchaînent: for large ensemble

Stylianos Dimou

…qui s'enchaînent: for large ensemble

Stylianos Dimou^* (Composer)

^*Corresponding author for this work

Academy of Music

Research output: Non-textual form › Composition

Abstract

“…qui s'enchaînent” is a piece for a large ensemble that explores the limits of recursive obsession and systemic propagation of musical events. It is unfolding multiple processes of repetition, formalizing microstructures with unique sonority characteristics and yet outlining superimposed identities of similar sonority objects. The notion of harmony comes to unify quasi-homogeneous materials for creating prominent sound archetypes that frame the canvas of broader musical ideas that formulate the piece's dramaturgy. Mimetic micro-variations and rhythmic metamorphoses are obsessively sculpting, and constantly re-formulating the timbral identities of the sound materials exposed. The piece is heartily dedicated to the musicians of the International Ensemble Modern Academy 2021-22.

Original language	English
Publisher	Frankfurt University of Music and Performing Arts
Media of output	Other
Publication status	Published - 16 Sept 2022
Event	IEMA-Ensemble 2021/22 : zu Gast im Museum Zeughaus - Germany, Mannheim, Germany Duration: 16 Sept 2022 → 16 Sept 2022 https://www.internationale-em-akademie.de/en/calendar

Scopus Subject Areas

Music

UN SDGs

This output contributes to the following UN Sustainable Development Goals (SDGs)

Cite this

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title = "…qui s'encha{\^i}nent: for large ensemble ",

abstract = "“…qui s'encha{\^i}nent” is a piece for a large ensemble that explores the limits of recursive obsession and systemic propagation of musical events. It is unfolding multiple processes of repetition, formalizing microstructures with unique sonority characteristics and yet outlining superimposed identities of similar sonority objects. The notion of harmony comes to unify quasi-homogeneous materials for creating prominent sound archetypes that frame the canvas of broader musical ideas that formulate the piece's dramaturgy. Mimetic micro-variations and rhythmic metamorphoses are obsessively sculpting, and constantly re-formulating the timbral identities of the sound materials exposed. The piece is heartily dedicated to the musicians of the International Ensemble Modern Academy 2021-22. ",

author = "Stylianos Dimou",

year = "2022",

month = sep,

day = "16",

language = "English",

publisher = "Frankfurt University of Music and Performing Arts",

note = "IEMA-Ensemble 2021/22 : zu Gast im Museum Zeughaus ; Conference date: 16-09-2022 Through 16-09-2022",

url = "https://www.internationale-em-akademie.de/en/calendar",

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TY - ADVS

T1 - …qui s'enchaînent

T2 - IEMA-Ensemble 2021/22

A2 - Dimou, Stylianos

PY - 2022/9/16

Y1 - 2022/9/16

N2 - “…qui s'enchaînent” is a piece for a large ensemble that explores the limits of recursive obsession and systemic propagation of musical events. It is unfolding multiple processes of repetition, formalizing microstructures with unique sonority characteristics and yet outlining superimposed identities of similar sonority objects. The notion of harmony comes to unify quasi-homogeneous materials for creating prominent sound archetypes that frame the canvas of broader musical ideas that formulate the piece's dramaturgy. Mimetic micro-variations and rhythmic metamorphoses are obsessively sculpting, and constantly re-formulating the timbral identities of the sound materials exposed. The piece is heartily dedicated to the musicians of the International Ensemble Modern Academy 2021-22.

AB - “…qui s'enchaînent” is a piece for a large ensemble that explores the limits of recursive obsession and systemic propagation of musical events. It is unfolding multiple processes of repetition, formalizing microstructures with unique sonority characteristics and yet outlining superimposed identities of similar sonority objects. The notion of harmony comes to unify quasi-homogeneous materials for creating prominent sound archetypes that frame the canvas of broader musical ideas that formulate the piece's dramaturgy. Mimetic micro-variations and rhythmic metamorphoses are obsessively sculpting, and constantly re-formulating the timbral identities of the sound materials exposed. The piece is heartily dedicated to the musicians of the International Ensemble Modern Academy 2021-22.

UR - https://www.hfmdk-frankfurt.de/veranstaltung/pruefungskonzert-iema-3

M3 - Composition

PB - Frankfurt University of Music and Performing Arts

Y2 - 16 September 2022 through 16 September 2022

ER -

…qui s'enchaînent: for large ensemble

Abstract

Scopus Subject Areas

UN SDGs

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