Post-apocalyptic Specters and Critical Planetarity in Merlinda Bobis’s Locust Girl

Research output: Contribution to journalJournal articlepeer-review

2 Citations (Scopus)


Climate change and global ecological crisis demand the reimagining of humanity on a planetary scale, yet planetary ideals risk downplaying human difference and inequality. This article examines Filipina Australian writer Merlinda Bobis’ novel Locust Girl (2015) in terms of the development of a critical planetarity that prioritizes an ethics of alterity. The novel links the post-apocalypse with spectrality and alternative futures to suggest that, for one, the planet is already a fragmented concept haunted by uneven geographies of empire and capital, and, for another, the imagination of alternative political life needs to recuperate unrealized historical possibilities of the local. Specifically, the novel draws on the trope of nonhuman metamorphosis to depict its female protagonist, whose nomadic subjectivity unsettles anthropocentric worldviews. Bobis’ novel makes a case for placing the ethnic minority writer’s response to the Anthropocene at the center of a situated practice of planetarity.
Original languageEnglish
Pages (from-to)99-123
Number of pages25
Issue number4
Publication statusPublished - Oct 2020

User-Defined Keywords

  • planetarity
  • climate change
  • post-apocalypse
  • postcolonial
  • Merlinda Bobis


Dive into the research topics of 'Post-apocalyptic Specters and Critical Planetarity in Merlinda Bobis’s Locust Girl'. Together they form a unique fingerprint.

Cite this