Narrated places usually originate from their authors’ geographical belonging and determine the situations of fictional characters. They symbolically integrate the transfigurations of emotion, memory and imagination of the authors from reality. This essay compares between Milan Kundera’s The Unbearable Lightness of Being (1984) and Gu Hua’s A Small Town Called Hibiscus (1981) with an aim to interrogate how spatial representation of Prague and Chenzhou (where the central government of China assigned Gu Hua to work as a peasant) delivers the authors’ perception of Leonid Brezhnev’s Soviet Union and Mao Zedong’s China. A narrative analysis of the nominal significance of Prague and the spectacle change of the fictive Hibiscus Town uncovers personal vicissitudes, and also reveals the authors’ fictional and conceptual reconstruction of the Prague Spring (1968) and the Cultural Revolution (1966–1976). This reconstruction holds historical and biographical referents to the past and irretrievable space shadowed by the grand history.
|Title of host publication
|Spaces of Longing and Belonging
|Subtitle of host publication
|Territoriality, Ideology and Creative Identity in Literature and Film
|Brigitte le Juez, Bill Richardson
|Number of pages
|Published - 1 Jul 2019