Abstract
This article presents an analysis of Tomas Marco's Duo concertante n" 3 influenced by Henri Bergson and Theodor W. Adorno's temporal telos that articulates a critical consideration of musical time. It intends to lead, by means of an abstract and fragmentary study of its most relevant elements, to a time-based understanding of the similarly fragmented structure of Marco's work.
| Original language | Spanish |
|---|---|
| Pages (from-to) | 559-585 |
| Number of pages | 27 |
| Journal | Revista de Musicología |
| Volume | 37 |
| Issue number | 2 |
| DOIs | |
| Publication status | Published - 2014 |