This article presents an analysis of Tomas Marco's Duo concertante n" 3 influenced by Henri Bergson and Theodor W. Adorno's temporal telos that articulates a critical consideration of musical time. It intends to lead, by means of an abstract and fragmentary study of its most relevant elements, to a time-based understanding of the similarly fragmented structure of Marco's work.
|Number of pages||27|
|Journal||Revista de Musicología|
|Publication status||Published - 2014|