TY - JOUR
T1 - On (not) speaking English*
T2 - The ‘phonic’ personae of transnational Chinese stars in the global visual network
AU - Lau, Dorothy W S
N1 - Publisher Copyright:
© 2016 Informa UK Limited, trading as Taylor & Francis Group.
Copyright:
Copyright 2018 Elsevier B.V., All rights reserved.
PY - 2018/1/2
Y1 - 2018/1/2
N2 - English-speaking flair becomes a rubric for the complex process of star construction of Chinese film performers in the shifting trajectories of the globalized media milieu. Shortly after her name was established on the world screens with Crouching Tiger, Hidden Dragon (2000), Zhang Ziyi's inability to speak fluent English in public events and meet-the-press occasions became a point of public notice. Also, the rise of Web-based culture has exposed her linguistic persona to a new and perpetual form of scrutiny as Web users impart the images about her ‘poor’ English incessantly and seamlessly. Then, what does her changing English-speaking image suggest to her ‘Chinese’ stardom? This essay will examine the importance and implication of speaking proficient English in the star-making of Zhang on YouTube. I will argue Zhang's intertextual, accented articulations in English become part of the network of new visualities and communities and, therefore, valorize her lingua-crossing star construction. Her linguistically transformed persona will prove she is flexible enough to contend her appeal at the fringe of the Anglophone and Sinophobe cultures. By investigating Zhang's ‘phonic’ presence, this essay will, hence, shed light on the dynamics between language and stardom in the landscape of global visual exchange.
AB - English-speaking flair becomes a rubric for the complex process of star construction of Chinese film performers in the shifting trajectories of the globalized media milieu. Shortly after her name was established on the world screens with Crouching Tiger, Hidden Dragon (2000), Zhang Ziyi's inability to speak fluent English in public events and meet-the-press occasions became a point of public notice. Also, the rise of Web-based culture has exposed her linguistic persona to a new and perpetual form of scrutiny as Web users impart the images about her ‘poor’ English incessantly and seamlessly. Then, what does her changing English-speaking image suggest to her ‘Chinese’ stardom? This essay will examine the importance and implication of speaking proficient English in the star-making of Zhang on YouTube. I will argue Zhang's intertextual, accented articulations in English become part of the network of new visualities and communities and, therefore, valorize her lingua-crossing star construction. Her linguistically transformed persona will prove she is flexible enough to contend her appeal at the fringe of the Anglophone and Sinophobe cultures. By investigating Zhang's ‘phonic’ presence, this essay will, hence, shed light on the dynamics between language and stardom in the landscape of global visual exchange.
UR - http://www.scopus.com/inward/record.url?scp=84988417784&partnerID=8YFLogxK
U2 - 10.1080/17508061.2016.1230328
DO - 10.1080/17508061.2016.1230328
M3 - Journal article
AN - SCOPUS:84988417784
SN - 1750-8061
VL - 12
SP - 20
EP - 40
JO - Journal of Chinese Cinemas
JF - Journal of Chinese Cinemas
IS - 1
ER -