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Music History and Historiography in the Chinese Context

  • Helan H L YANG*
  • *Corresponding author for this work

Research output: Chapter in book/report/conference proceedingChapterpeer-review

2 Citations (Scopus)

Abstract

Abstract Chinese music has a long history, and the sonic features of current musical practices are continuously changing as they are passed from person to person through oral transmission; this is music that represents living traditions. In China—just as elsewhere, undoubtedly—ideologies, histories, and music have been intertwined, and geopolitics have shaped and will continue to shape historical narratives. This chapter advocates the safeguarding of different forms of memory-keeping in music and challenges biases produced in written histories, as they tend to reflect the narratives of the victor, the powerful, and the dogmatic—those who have access to the privilege of discourse.
Original languageEnglish
Title of host publicationThe Oxford Handbook of Music in China and the Chinese Diaspora
EditorsJonathan P. J. Stock, Yu Hui
Place of PublicationNew York
PublisherOxford University Press
Chapter7
Pages134-154
Number of pages21
ISBN (Electronic)9780190661984
ISBN (Print)9780190661960, 9780190661991
DOIs
Publication statusPublished - 23 Oct 2023

Publication series

NameOxford Handbooks
PublisherOxford University Press

UN SDGs

This output contributes to the following UN Sustainable Development Goals (SDGs)

  1. SDG 16 - Peace, Justice and Strong Institutions
    SDG 16 Peace, Justice and Strong Institutions

User-Defined Keywords

  • music history
  • historiography
  • ideology
  • discourse
  • memory
  • China
  • Hong Kong
  • Cultural Revolution

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