TY - JOUR
T1 - Music-Evoked Thoughts: Genre and Emotional Expression of Music Impact Concurrent Imaginings
AU - Jakubowski, Kelly
AU - Margulis, Elizabeth Hellmuth
AU - Taruffi, Liila
N1 - This work was supported by a Leverhulme Trust Early Career Fellowship (ECF2018-209) awarded to author KJ. Ethical approval was granted by the Durham University Music Department Ethics Committee.
Publisher Copyright:
© 2024 BY THE REGENTS OF THE UNIVERSITY OF CALIFORNIA ALL RIGHTS RESERVED.
PY - 2024/9
Y1 - 2024/9
N2 - Music listening can evoke a range of extra-musical thoughts, from colors and smells to autobiographical memories and fictional stories. We investigated music-evoked thoughts as an overarching category, to examine how the music’s genre and emotional expression, as well as familiarity with the style and liking of individual excerpts, predicted the occurrence, type, novelty, and valence of thoughts. We selected 24 unfamiliar, instrumental music excerpts evenly distributed across three genres (classical, electronic, pop/rock) and two levels of expressed valence (positive, negative) and arousal (high, low). UK participants (N = 148, Mage = 28.68) heard these 30-second excerpts, described any thoughts that had occurred while listening, and rated various features of the thoughts and music. The occurrence and type of thoughts varied across genres, with classical and electronic excerpts evoking more thoughts than pop/rock excerpts. Classical excerpts evoked more music-related thoughts, fictional stories, and media-related memories, while electronic music evoked more abstract visual images than the other genres. Positively valenced music and more liked excerpts elicited more positive thought content. Liking and familiarity with a style also increased thought occurrence, while familiarity decreased the novelty of thought content. These findings have key implications for understanding how music impacts imagination and creative processes.
AB - Music listening can evoke a range of extra-musical thoughts, from colors and smells to autobiographical memories and fictional stories. We investigated music-evoked thoughts as an overarching category, to examine how the music’s genre and emotional expression, as well as familiarity with the style and liking of individual excerpts, predicted the occurrence, type, novelty, and valence of thoughts. We selected 24 unfamiliar, instrumental music excerpts evenly distributed across three genres (classical, electronic, pop/rock) and two levels of expressed valence (positive, negative) and arousal (high, low). UK participants (N = 148, Mage = 28.68) heard these 30-second excerpts, described any thoughts that had occurred while listening, and rated various features of the thoughts and music. The occurrence and type of thoughts varied across genres, with classical and electronic excerpts evoking more thoughts than pop/rock excerpts. Classical excerpts evoked more music-related thoughts, fictional stories, and media-related memories, while electronic music evoked more abstract visual images than the other genres. Positively valenced music and more liked excerpts elicited more positive thought content. Liking and familiarity with a style also increased thought occurrence, while familiarity decreased the novelty of thought content. These findings have key implications for understanding how music impacts imagination and creative processes.
KW - music
KW - imagination
KW - mental imagery
KW - mind-wandering
KW - music-evoked imagery
UR - http://www.scopus.com/inward/record.url?scp=85202748927&partnerID=8YFLogxK
U2 - 10.1525/mp.2024.42.1.3
DO - 10.1525/mp.2024.42.1.3
M3 - Journal article
SN - 0730-7829
VL - 42
SP - 3
EP - 18
JO - Music Perception
JF - Music Perception
IS - 1
ER -