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Masculine Performance in Hong Kong Crime Films from Post-Bruce to the 2000s
Gabriel F. Y. Tsang
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Corresponding author for this work
Department of Chinese Language and Literature
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Social Sciences
crime film
100%
masculinity
48%
Hong Kong
43%
performance
24%
film industry
10%
Aristotle
9%
cultural development
9%
song
8%
genealogy
7%
imagination
7%
genre
6%
capitalist society
6%
director
6%
everyday life
6%
globalization
5%
offense
4%
interpretation
4%
China
4%