Abstract
Capitalizing on cultural resources to promote economic and urban development has increasingly become a major concern in cities in the world. This paper examines the case of Dafen Oil Painting Village in Shenzhen, China, which has been transformed from a poor rural village to a major oil painting production centre. This study tries to unravel the realities behind the "Dafen Brand", with special attention on the forces behind the branding exercise and the associated socio-economic consequences as observed from the doubly deprived painter-workers. Dafen's art practitioners encounter severe economic hardship similar to the difficulties faced by other rural migrant workers in China's major metropolises.
| Original language | English |
|---|---|
| Pages (from-to) | 156-164 |
| Number of pages | 9 |
| Journal | Habitat International |
| Volume | 41 |
| DOIs | |
| Publication status | Published - Jan 2014 |
User-Defined Keywords
- Branding exercise
- Cultural industry
- Dafen Village
- Painter-workers