TY - JOUR
T1 - Linked Data and You
T2 - Bringing Music Research Software into the Semantic Web
AU - Cannam, Chris
AU - Sandler, Mark
AU - Jewell, Michael O.
AU - Rhodes, Christophe
AU - D'Inverno, Mark
N1 - Publisher Copyright:
© 2010 Taylor & Francis.
Funding Information:
The work in this paper was supported by the EPSRC through the OMRAS2 project EP/E017614/1, EP/E02274X/1.
PY - 2010/12/1
Y1 - 2010/12/1
N2 - The promise of the Semantic Web is to democratize access to data,
allowing anyone to make use of and contribute back to the global store
of knowledge. Within the scope of the OMRAS2 Music Information Retrieval
project, we have made use of and contributed to Semantic Web
technologies for purposes ranging from the publication of music
recording metadata to the online dissemination of results from audio
analysis algorithms. In this paper, we assess the extent to which our
tools and frameworks can assist in research and facilitate distributed
work among audio and music researchers, and enumerate and motivate
further steps to improve collaborative efforts in music informatics
using the Semantic Web. To this end, we review some of the tools
developed by the OMRAS2 project, examine the extent to which our work
reflects the Semantic Web paradigm, and discuss some of the remaining
work needed to fulfil the promise of online music informatics research.
AB - The promise of the Semantic Web is to democratize access to data,
allowing anyone to make use of and contribute back to the global store
of knowledge. Within the scope of the OMRAS2 Music Information Retrieval
project, we have made use of and contributed to Semantic Web
technologies for purposes ranging from the publication of music
recording metadata to the online dissemination of results from audio
analysis algorithms. In this paper, we assess the extent to which our
tools and frameworks can assist in research and facilitate distributed
work among audio and music researchers, and enumerate and motivate
further steps to improve collaborative efforts in music informatics
using the Semantic Web. To this end, we review some of the tools
developed by the OMRAS2 project, examine the extent to which our work
reflects the Semantic Web paradigm, and discuss some of the remaining
work needed to fulfil the promise of online music informatics research.
UR - http://www.scopus.com/inward/record.url?scp=79955438720&partnerID=8YFLogxK
U2 - 10.1080/09298215.2010.522715
DO - 10.1080/09298215.2010.522715
M3 - Journal article
AN - SCOPUS:79955438720
SN - 0929-8215
VL - 39
SP - 313
EP - 325
JO - Journal of New Music Research
JF - Journal of New Music Research
IS - 4
ER -