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Inhibition vs. exhibition: political censorship of Chinese and foreign cinemas in postwar Hong Kong
Kenny Ng
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Corresponding author for this work
Academy of Film
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Keyphrases
Hong Kong
100%
Cinema
100%
Politics
50%
Government Documents
50%
Cold War
50%
Chinese Film
50%
Throwing
50%
Postcolonial Hong Kong
50%
Human Resources
50%
Press Coverage
50%
Propaganda
50%
Transnationality
50%
Human Action
50%
Political Status
50%
Boundary Crossing
50%
Film Exhibition
50%
Historical Account
50%
Film Censorship
50%
Film Studios
50%
Paranoia
50%
Border Films
50%
Foreign Film
50%
Territorial Boundaries
50%
Arts and Humanities
Hong Kong
100%
Political Censorship
100%
Chinese
100%
Cold War
50%
Visuality
50%
Film Exhibition
50%
Historical Account
50%
Film censorship
50%
Incomplete
50%
film studios
50%
Human Action
50%
Social Sciences
Chinese
100%
Hong Kong
100%
Human Resources
50%
Cold War
50%
Transnationality
50%
Government Document
50%