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Hong Kong Cinema as Ethnic Borderland
Kwai Cheung Lo
Department of Humanities and Creative Writing
Research output
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Chapter in book/report/conference proceeding
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Chapter
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peer-review
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Arts & Humanities
Hong Kong Cinema
100%
Borderlands
66%
Nationalist Ideology
16%
Tutelage
16%
Entertainment Industry
16%
Cultural Conflict
16%
Ethnic Conflict
16%
Modern China
15%
Nation-state
15%
Cultural Politics
13%
Monopoly
12%
Political History
12%
Comedy
11%
Ethnic Groups
10%
Governance
8%
History
8%