Glocalizing Hong Kong anglophone literature: Locating Xu Xi’s writing across the decades

Jason Eng Hun LEE*

*Corresponding author for this work

Research output: Chapter in book/report/conference proceedingChapterpeer-review

Abstract

This chapter traces the development of Xu Xi’s novelistic oeuvre over two decades, from Chinese Walls (1994) to That Man in Our Lives (2016). Lee depicts how Xu Xi’s “outsider-insider” perspective allows her to indigenize her own creative works within Hong Kong by yoking together local and cosmopolitan sensibilities, even as she emphasizes the contradictions of writing about a territory that is constantly being reconfigured by the forces of cultural nationalism and neoliberalism. Lee argues that Xu Xi’s formulation of a Hong Kong literature resists convergence with an increasingly modish yet recognizable global “Chinese” literature and, that by positing her writings on Hong Kong rather as a subset of global fiction, she is reframing Hong Kong Anglophone writing as a form of glocal literature.

Original languageEnglish
Title of host publicationCultural Conflict in Hong Kong
Subtitle of host publicationAngles on a Coherent Imaginary
PublisherPalgrave Macmillan
Pages307-324
Number of pages18
ISBN (Electronic)9789811077661
ISBN (Print)9789811077654
DOIs
Publication statusPublished - 1 Jan 2018

Scopus Subject Areas

  • Social Sciences(all)
  • Arts and Humanities(all)

User-Defined Keywords

  • Chineseness
  • Glocality
  • Hong Kong literature
  • Hybridity
  • Xu Xi

Fingerprint

Dive into the research topics of 'Glocalizing Hong Kong anglophone literature: Locating Xu Xi’s writing across the decades'. Together they form a unique fingerprint.

Cite this