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Fear Not: Seal Engraving as Mode of Expression in Chinese Calligraphy
Chak Kwong LAU
(Art Historian)
Academy of Visual Arts
Research output
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Non-textual form
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Dive into the research topics of 'Fear Not: Seal Engraving as Mode of Expression in Chinese Calligraphy'. Together they form a unique fingerprint.
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Keyphrases
Hong Kong
100%
Calligraphy
100%
Chinese Calligraphy
100%
Expression Mode
100%
Engraving
100%
Public Venues
37%
Context of Use
37%
Multimodality
25%
Research Fund
25%
City Life
25%
Literati
25%
Modes of Representation
25%
Rosewood
25%
Synergistic Effect
12%
Hong Kong Society
12%
Meaning-making
12%
Christian Churches
12%
Social Context
12%
Cultural Contexts
12%
Specific Types
12%
Cyber Space
12%
Traditional Culture
12%
Temple
12%
Physical Space
12%
Material Forming
12%
Cultural Implications
12%
Visual Culture
12%
Cultural Significance
12%
Whistle
12%
Rain
12%
Semiotic Resources
12%
Illustrated Books
12%
Inscriptions
12%
Wide Audience
12%
Ancestral Shrines
12%
Sushi
12%
Historical Significance
12%
High Art
12%
Small Communities
12%
Historic Sites
12%
Charity Organization
12%
Relationship Effect
12%
Public Messaging
12%
Aesthetic Object
12%
Seal Imprint
12%
Wood Grain
12%
Intaglio
12%
Windswept
12%
Grain Texture
12%
Arts and Humanities
Hong Kong
100%
Expression
100%
Chinese calligraphy
100%
Engraving
100%
Seal
100%
venues
33%
Dynamics
22%
Multimodality
22%
Materiality
22%
Literati
22%
city life
22%
Meaning making
11%
Christian churches
11%
Social Context
11%
Circle
11%
Poem
11%
Cultural Contexts
11%
Professional Personnel
11%
art form
11%
Inscription
11%
Cultural Significance
11%
Neglect
11%
Semiotics
11%
Visual Culture
11%
Historical Significance
11%
Traditional Culture
11%
High Arts
11%
Historic Monuments
11%
Charity
11%
aesthetic object
11%
Intaglio
11%