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Experiments in self-narration in twentieth-century Chinese fiction
Terry Yip
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peer-review
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Keyphrases
20th Century
100%
The Self
100%
Self-narration
100%
Narrative Mode
100%
Chinese Fiction
100%
China
50%
Moral
50%
Western Europe
50%
Cultural Issues
50%
Cultural Identity
50%
Westernization
50%
Modern Culture
50%
Chinese Cultural Values
50%
New Identity
50%
Disorientation
50%
Western Values
50%
Traditional Culture
50%
Dominant Mode
50%
Narrator
50%
Storytelling
50%
China-EU
50%
Individual Self
50%
Self-formation
50%
Political Groups
50%
Gao Xingjian
50%
Literary Work
50%
Cultural Aspects
50%
Deconstruction
50%
Manifesto
50%
Struction
50%
Expression Mode
50%
Chinese Writer
50%
New Frontiers
50%
Role Identity
50%
Collective Group
50%
Personal Testimony
50%
Yu Dafu
50%
Sociocultural Milieu
50%
Psychocultural
50%
Ding Ling
50%
Expression Form
50%
Sexuality Politics
50%
Arts and Humanities
China
100%
20th Century
100%
Conscious
100%
Expression
100%
Chinese Fiction
100%
narrative mode
100%
Self-Narration
100%
Moral
50%
Sociocultural
50%
Narrative Method
50%
Narrative
50%
Literature
50%
1980s
50%
1990s
50%
1920s
50%
Disorientation
50%
Narrator
50%
Milieu
50%
Gao Xingjian
50%
Literary works
50%
Deconstruction
50%
Essence
50%
Narration
50%
Manifesto
50%
Frontier
50%
Westernization
50%
Modern Culture
50%
Western Europe
50%
Traditional Culture
50%