This article examines Japan–Hong Kong film productions in light of historical developments and analyzes the ideologies beneath these motion pictures. It focuses on some Japanese–Hong Kong coproductions and investigates how various film genres under the shadow of the nation’s faded economic supremacy manifest Japan’s fantasy of Hong Kong in order to express the nostalgia for its former glory as well as its anxiety over a looming China. Japan’s cinematic (co)productions and their imaginary depictions of foreign Asians are discussed in connection with its imperialist era, when cinema was used as a propaganda tool to promote its empire and Japanese Asianism was an ideology in the service of its nationalist aggression. The incorporation of Asian foreignness in these films may invite further reflections on Japan’s situation and test its willingness to recognize the presence of China in reconfiguring its self-identity in a new era.
|Publisher||Oxford University Press|
- Hong Kong