TY - JOUR
T1 - Drift and Modernity: On Mid-Twentieth Century Japanese Intellectual Discourses
AU - Hoshino, Noriaki
N1 - This paper was supported by the University Grants Committee (Hong Kong) under GRF [12619422].
Publisher Copyright:
© 2024 Japanese Studies Association of Australia.
PY - 2024/8/2
Y1 - 2024/8/2
N2 - This article explores the subject of drifting (hyōryū) at sea and its relationship with modernity in mid-twentieth century Japanese intellectual discourse. During this period, castaway stories and the figure of the castaway or drifter (hyōryūsha) drew the attention of key Japanese intellectuals as an important subject in the formation of the modern world and society. This article focuses on the discourses of three radical and progressive Japanese intellectuals influential in the mid-twentieth century, namely Fukumoto Kazuo (1894–1983), Tsurumi Shunsuke (1922–2015), and Hanada Kiyoteru (1909–1974), whose works engage extensively with the subject of those adrift at sea. While paying attention to the different methodological perspectives of the three intellectuals, this article argues that their discussions of the drift addressed a shared interest in a re-examination of modernity. By addressing the ways in which the sinuous passage of the drift inspired a critical examination of modernity, this article helps expand the discussion of modernity in Japanese intellectual history.
AB - This article explores the subject of drifting (hyōryū) at sea and its relationship with modernity in mid-twentieth century Japanese intellectual discourse. During this period, castaway stories and the figure of the castaway or drifter (hyōryūsha) drew the attention of key Japanese intellectuals as an important subject in the formation of the modern world and society. This article focuses on the discourses of three radical and progressive Japanese intellectuals influential in the mid-twentieth century, namely Fukumoto Kazuo (1894–1983), Tsurumi Shunsuke (1922–2015), and Hanada Kiyoteru (1909–1974), whose works engage extensively with the subject of those adrift at sea. While paying attention to the different methodological perspectives of the three intellectuals, this article argues that their discussions of the drift addressed a shared interest in a re-examination of modernity. By addressing the ways in which the sinuous passage of the drift inspired a critical examination of modernity, this article helps expand the discussion of modernity in Japanese intellectual history.
UR - http://www.scopus.com/inward/record.url?scp=85200143775&partnerID=8YFLogxK
U2 - 10.1080/10371397.2024.2380306
DO - 10.1080/10371397.2024.2380306
M3 - Journal article
SN - 1037-1397
VL - 44
SP - 193
EP - 210
JO - Japanese Studies
JF - Japanese Studies
IS - 2
ER -