Abstract
During the summer of 1986, the Tubingen Soap Opera Project team conducted twenty-six ethnographic interviews with viewers in western Oregon. The first part of this paper places our study within the context of recent ethnographic work on particular social audiences of popular texts and describes our research design. The second part gives a preliminary report of our analyses and is divided into three sections: 1) soap operas in the context of everyday life for women working in the home; 2) how viewers construct the soap opera as a text; and 3) a feminist approach to the issue of gender and genre. Finally, we take a discursive approach to the interviews conducted by Kreutzner, Warth, and Seiter in all-female groups in our postscript on gendered discourse.
[abstract from publisher site]
Another point of departure from Nationwide lies in Morley 's reformulation of the notion of decoding, which is no longer conceived of as a single act of reading, but also as “a set of processes-of attentiveness, recognition of relevance, of comprehension, and of interpretation and response.:” This conceptual shift is closely related to a stronger emphasis on respondents' actual interlocutions as primary “data” rather than, as in Nationwide, dealing only with the substance of the viewers' responses. Morley suggests that specific meaning constructions can only be accounted for by close attention to the linguistic form in which they are expressed. In conclusion, Morley proposes an “ethnography of reading” which would account for the cultural rules organizing individual diversities of a basically social phenomenon'.
[abstract from author]
[abstract from publisher site]
Another point of departure from Nationwide lies in Morley 's reformulation of the notion of decoding, which is no longer conceived of as a single act of reading, but also as “a set of processes-of attentiveness, recognition of relevance, of comprehension, and of interpretation and response.:” This conceptual shift is closely related to a stronger emphasis on respondents' actual interlocutions as primary “data” rather than, as in Nationwide, dealing only with the substance of the viewers' responses. Morley suggests that specific meaning constructions can only be accounted for by close attention to the linguistic form in which they are expressed. In conclusion, Morley proposes an “ethnography of reading” which would account for the cultural rules organizing individual diversities of a basically social phenomenon'.
[abstract from author]
Original language | English |
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Title of host publication | Remote Control |
Subtitle of host publication | Television, Audiences, and Cultural Power |
Editors | Ellen Seiter, Hans Borchers, Gabriele Kreutzner, Eva-Maria Warth |
Place of Publication | London; New York |
Publisher | Routledge |
Chapter | 12 |
Pages | 223-247 |
Number of pages | 25 |
Edition | 1st |
ISBN (Electronic) | 9780203768976, 9781135036904 |
ISBN (Print) | 9780415839525, 9781138985100, 0415065054 |
DOIs | |
Publication status | Published - 7 May 2013 |
Publication series
Name | Routledge Library Editions: Television |
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Volume | 13 |
Scopus Subject Areas
- General Social Sciences
- Visual Arts and Performing Arts