Distant Ringing

George Tsz-Kwan Lam

Distant Ringing

George Tsz-Kwan Lam^* (Composer)

^*Corresponding author for this work

Academy of Music

Research output: Non-textual form › Composition

Abstract

"Distant Ringing" is written for two players on one vibraphone. In this work, I highlight the pure, metallic ringing that defines the modern vibraphone, while highlighting the use of multiple mallet types and "dead strokes" to add color to the instrument's sound. I also included common permutation patterns from the English tradition of change ringing as part of the process for generating the pitch patterns. As a result, you will hear a piece where the two players continually find new ways to express a simple descending scale by gradually changing the sequence at each repetition.

"Distant Ringing" was commissioned Toolbox Percussion, and is written for Toolbox Percussion and the Percussion Department at the Arizona State University School of Music, Dance, and Theater.

Original language	English
Media of output	Other
Size	6' 30"
Publication status	Published - 14 Jul 2023

UN SDGs

This output contributes to the following UN Sustainable Development Goals (SDGs)

SDG 3 Good Health and Well-being

Cite this

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N2 - "Distant Ringing" is written for two players on one vibraphone. In this work, I highlight the pure, metallic ringing that defines the modern vibraphone, while highlighting the use of multiple mallet types and "dead strokes" to add color to the instrument's sound. I also included common permutation patterns from the English tradition of change ringing as part of the process for generating the pitch patterns. As a result, you will hear a piece where the two players continually find new ways to express a simple descending scale by gradually changing the sequence at each repetition. "Distant Ringing" was commissioned Toolbox Percussion, and is written for Toolbox Percussion and the Percussion Department at the Arizona State University School of Music, Dance, and Theater.

AB - "Distant Ringing" is written for two players on one vibraphone. In this work, I highlight the pure, metallic ringing that defines the modern vibraphone, while highlighting the use of multiple mallet types and "dead strokes" to add color to the instrument's sound. I also included common permutation patterns from the English tradition of change ringing as part of the process for generating the pitch patterns. As a result, you will hear a piece where the two players continually find new ways to express a simple descending scale by gradually changing the sequence at each repetition. "Distant Ringing" was commissioned Toolbox Percussion, and is written for Toolbox Percussion and the Percussion Department at the Arizona State University School of Music, Dance, and Theater.

M3 - Composition

ER -

Distant Ringing

Abstract

UN SDGs

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