Abstract
Cantonese opera, recognized as a Human intangible cultural heritage (ICH) by UNESCO, faces significant challenges due to an aging demographic and declining audience. In response, Cantonese opera in Hong Kong has embraced modern technologies, such as artificial intelligence and virtual reality. This qualitative study critically examines the perspectives of stakeholders involved in Cantonese opera, exploring their attitudes, beliefs, and practices regarding the integration of technology. The findings reveal an increasing openness among stakeholders in Hong Kong towards adopting technology in Cantonese opera performances. The study highlights the factors influencing their readiness to accept or reject specific technological innovations in traditional Cantonese opera. By shedding light on technology's role in the preservation and evolution of Cantonese opera, this research contributes to the ongoing discourse on the intersection of tradition and innovation in safeguarding ICH.
| Original language | English |
|---|---|
| Title of host publication | PCE/PCAH 2024 Abstract Book |
| Publisher | The International Academic Forum (IAFOR) |
| Pages | 130 |
| Number of pages | 1 |
| Publication status | Published - Jun 2024 |
| Event | The 3rd Paris Conference on Arts and Humanities, PCAH2024 - La Maison de la Chimie, Paris, France Duration: 13 Jun 2024 → 17 Jun 2024 https://pcah.iafor.org/pcah2024/#conference-theme (Link to conference website) https://iafor.org/archives/conference-programmes/pcah/pcah-programme-2024.pdf (Link to conference programme) |
Publication series
| Name | The IAFOR Conference Programme & Abstract Book |
|---|---|
| Publisher | International Academic Forum (IAFOR) |
| ISSN (Print) | 2433-7587 |
| ISSN (Electronic) | 2433-7544 |
Conference
| Conference | The 3rd Paris Conference on Arts and Humanities, PCAH2024 |
|---|---|
| Abbreviated title | PCAH2024 |
| Country/Territory | France |
| City | Paris |
| Period | 13/06/24 → 17/06/24 |
| Internet address |
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