Abstract
A virus is not only invisible; it is also inaudible. Alongside attempts
to visualize COVID-19, this article inserts a sonic perspective to
listen to encounters between authorities and populations during the
pandemic in China. The article examines how sound (mal)functions to
mediate, interpellate, and distribute authority and power in the name of
national health and safety. We will concentrate on the use of sirens
and loudspeakers. First, at 10 a.m. on 4 April 2020, sirens were sounded
throughout the nation to mark an official National Day of Mourning
(全民哀悼日). Second, to reach places not readily accessible by more modern
means of communication, rural leaders resorted to loudspeakers to
announce virus-related messages to offline populations. Our curiosity
about the sonic element was piqued. At the same time, we were reminded
of ocularcentrism – the tendency or the bias to place the visual at the
centre of inquiry. We argue for the need to engage with sonic practices
and politics, and to foreground sound as a tool of governmentality. We
want to document how certain instances of sonic governmentality played
out in China during the pandemic. Finally, this inquiry should help us
explore possible avenues for future research on sound and politics.
Original language | English |
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Pages (from-to) | 325-345 |
Number of pages | 21 |
Journal | China Information |
Volume | 35 |
Issue number | 3 |
Early online date | 25 Apr 2021 |
DOIs | |
Publication status | Published - Nov 2021 |
Scopus Subject Areas
- General Arts and Humanities
- General Social Sciences
- Economics, Econometrics and Finance(all)
User-Defined Keywords
- COVID-19
- loudspeakers
- National Day of Mourning
- ocularcentrism
- sirens
- sonic governmentality