Abstract
Comprovisations by Camilo Mendez, Roberto Alonso, Contemporary Music Workshop Collective (Hong Kong), Charles Kwong, Sharon Chan, Joan Jordi Oliver, Telematic Performance Format Group (Zürich)
“Gego Archipelago" (Camilo Mendez) is a performance created from the assembly of modular sound materials in space-time, using modified instruments and found objects that through repetition and constant change create and ever-expanding archipelago of multi-layered connections.
"Time-Space Vessels” (Charles Kwong) will contribute to the telematic soundscape with an improvised set centred around synthesisers, shakuhachi, and self-built instruments that manipulate wireless audio feedback. The performance will focus on exploring the performativity of feedback as a time-space phenomenon, and an audio simulation of a theorised time dilation.
Both approaches will be performed simultaneously, responding to the sounding affects and effects that migrate through the net.
“Gego Archipelago" (Camilo Mendez) is a performance created from the assembly of modular sound materials in space-time, using modified instruments and found objects that through repetition and constant change create and ever-expanding archipelago of multi-layered connections.
"Time-Space Vessels” (Charles Kwong) will contribute to the telematic soundscape with an improvised set centred around synthesisers, shakuhachi, and self-built instruments that manipulate wireless audio feedback. The performance will focus on exploring the performativity of feedback as a time-space phenomenon, and an audio simulation of a theorised time dilation.
Both approaches will be performed simultaneously, responding to the sounding affects and effects that migrate through the net.
| Original language | English |
|---|---|
| Publisher | Zurich University of the Arts |
| Media of output | Online |
| Publication status | Published - 29 Nov 2024 |
