TY - JOUR
T1 - Comparative reflections on Hong Kong and Indian Cinema
T2 - Identity, diaspora, and cosmopolitanism
AU - DEPREZ, Camille
N1 - Copyright:
Copyright 2020 Elsevier B.V., All rights reserved.
PY - 2009/12/1
Y1 - 2009/12/1
N2 - Much research on contemporary Asian cinema is focused within national boundaries or takes an outright international approach, with few comparative studies. Historic and cinematographic similarities between Hong Kong and India since the 1980s allow for a consideration of identity deconstruction and reconstruction in diaspora as seen in some of their films. The notion of vagueness becomes crucial to a nuanced view of the tendency either to withdraw into one's community or turn cosmopolitan.
AB - Much research on contemporary Asian cinema is focused within national boundaries or takes an outright international approach, with few comparative studies. Historic and cinematographic similarities between Hong Kong and India since the 1980s allow for a consideration of identity deconstruction and reconstruction in diaspora as seen in some of their films. The notion of vagueness becomes crucial to a nuanced view of the tendency either to withdraw into one's community or turn cosmopolitan.
UR - https://www.cefc.com.hk/article/comparative-reflections-on-hong-kong-and-indian-cinema-identity-diaspora-and-cosmopolitanism/
UR - https://www.cefc.com.hk/issue/china-perspectives-2009-3/
UR - http://www.scopus.com/inward/record.url?scp=79956247284&partnerID=8YFLogxK
U2 - 10.4000/chinaperspectives.4856
DO - 10.4000/chinaperspectives.4856
M3 - Journal article
AN - SCOPUS:79956247284
SN - 2070-3449
VL - 2009
SP - 87
EP - 96
JO - China Perspectives
JF - China Perspectives
IS - 3
ER -