Chiaroscuro of the Uncanny: An Unknown Side of Old Master Q

Kum Hoon Ng, Lian Hee Wee

    Research output: Chapter in book/report/conference proceedingChapterpeer-review

    Abstract

    Wong Chak’s Old Master Q, a superlatively well-known and popular Hong Kong comic series, is commonly seen as a hilarious comedy. Through analyzing hitherto neglected narratival modalities (i.e., the “funny uncanny,” “horror uncanny,” and “as-is uncanny”) whereby Wong plays with disturbing elements, the chapter argues that Old Master Q is actually more variegated and sophisticated. Ng and Wee draw a connection to the age-old supernaturalistic worldview of the Chinese, modern Hong Kongers’ immersion in the paranormal, as well as Western visions of dark cosmic Otherness as expressed by H. P. Lovecraft, Eugene Thacker, and others. Wong Chak is thereby shown to be an artistic master of the uncanny who transcends the bi-cultural tension inherent in a Hong Kong modernizing between the East and the post-Enlightenment West.

    Original languageEnglish
    Title of host publicationCultural Conflict in Hong Kong
    Subtitle of host publicationAngles on a Coherent Imaginary
    EditorsJason S. Polley, Vinton W. K. Poon, Lian-Hee Wee
    Place of PublicationSingapore
    PublisherPalgrave Macmillan
    Pages211-233
    Number of pages23
    Edition1st
    ISBN (Electronic)9789811077661
    ISBN (Print)9789811077654, 9789811339967
    DOIs
    Publication statusPublished - 29 Mar 2018

    Scopus Subject Areas

    • General Social Sciences
    • General Arts and Humanities

    User-Defined Keywords

    • Alfonso Wong
    • Hong Kong comics
    • Old Master Q
    • The uncanny
    • Wong Chak

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