Abstract
Wong Chak’s Old Master Q, a superlatively well-known and popular Hong Kong comic series, is commonly seen as a hilarious comedy. Through analyzing hitherto neglected narratival modalities (i.e., the “funny uncanny,” “horror uncanny,” and “as-is uncanny”) whereby Wong plays with disturbing elements, the chapter argues that Old Master Q is actually more variegated and sophisticated. Ng and Wee draw a connection to the age-old supernaturalistic worldview of the Chinese, modern Hong Kongers’ immersion in the paranormal, as well as Western visions of dark cosmic Otherness as expressed by H. P. Lovecraft, Eugene Thacker, and others. Wong Chak is thereby shown to be an artistic master of the uncanny who transcends the bi-cultural tension inherent in a Hong Kong modernizing between the East and the post-Enlightenment West.
Original language | English |
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Title of host publication | Cultural Conflict in Hong Kong |
Subtitle of host publication | Angles on a Coherent Imaginary |
Editors | Jason S. Polley, Vinton W. K. Poon, Lian-Hee Wee |
Place of Publication | Singapore |
Publisher | Palgrave Macmillan |
Pages | 211-233 |
Number of pages | 23 |
Edition | 1st |
ISBN (Electronic) | 9789811077661 |
ISBN (Print) | 9789811077654, 9789811339967 |
DOIs | |
Publication status | Published - 29 Mar 2018 |
Scopus Subject Areas
- General Social Sciences
- General Arts and Humanities
User-Defined Keywords
- Alfonso Wong
- Hong Kong comics
- Old Master Q
- The uncanny
- Wong Chak