Challenging What We "Know" about Disability: Phamaly Theatre and the DisAbility Project

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    Abstract

    Phamaly and the DisAbility Project are theater companies comprising disabled performers with different missions and purposes. Phamaly produces standard Broadway fare (or previously-existing material) with an all disabled cast. The DisAbility Project writes and produces new material based upon the experience of its actors, creating and touring original material in order to educate others about the culture of disability. Phamaly and the DisAbility Project take different approaches to performance and inclusion. Phamaly conforms to a Brechtian model of performance, while the DisAbility Project enacts Augusto Boal's theories of the theater of the oppressed. Both companies enact audience alienation to compel reconsideration of the capabilities of the disabled body.
    Original languageEnglish
    Number of pages20
    JournalCOPAS—Current Objectives of Postgraduate American Studies
    Volume18
    Issue number2
    DOIs
    Publication statusPublished - Jul 2017

    Scopus Subject Areas

    • General Arts and Humanities
    • Visual Arts and Performing Arts

    User-Defined Keywords

    • Disability
    • Theater
    • Phamaly
    • DisAbility Project
    • Brecht
    • Boal
    • alienation
    • Theater of the oppressed

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