BURSZTYN VI: Minimaquina IIIb

Camilo Mendez

BURSZTYN VI: Minimaquina IIIb

Camilo Mendez (Composer)

Academy of Music

Research output: Non-textual form › Composition

Abstract

Minimáquina III exists in two different forms as a DUO & as a QUINTET. Therefore, it can be performed as a DUO consisting of ‘prepared’ soprano voice & prepared flute without pianists; or as a QUINTET.
The piece was composed using two texts in Spanish: ‘Feliza Bursztyn’ & ‘El Arte es experimento’ (Eng. Art is experiment). The name FE-LI-ZA BU- UR-SZ-TYN was fragmented, the sounds & syllables were used as musical materials (in different combinations). The second text is a quotation taken from the interview ‘Dos Galerías y una Feliza’ by Gloria Valencia de Castaño, El Tiempo, Bogotá: abril 27 de 1972, p. 7B.
Feliza Bursztyn
[ fe 'li θa βur s θ t 'y n ]

El Arte es experimento
[ el 'ar te es eks pe ri 'meN to ]

Original language	English
Publisher	Blueridge Chamber Music Festival
Media of output	Other
Publication status	Published - 16 Aug 2019
Event	Blueridge Chamber Music Festival - Opheus Annex, Vancouver, Canada Duration: 16 Aug 2019 → …

UN SDGs

This output contributes to the following UN Sustainable Development Goals (SDGs)

SDG 3 Good Health and Well-being

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title = "BURSZTYN VI: Minimaquina IIIb",

abstract = "Minim{\'a}quina III exists in two different forms as a DUO \& as a QUINTET. Therefore, it can be performed as a DUO consisting of {\textquoteleft}prepared{\textquoteright} soprano voice \& prepared flute without pianists; or as a QUINTET. The piece was composed using two texts in Spanish: {\textquoteleft}Feliza Bursztyn{\textquoteright} \& {\textquoteleft}El Arte es experimento{\textquoteright} (Eng. Art is experiment). The name FE-LI-ZA BU- UR-SZ-TYN was fragmented, the sounds \& syllables were used as musical materials (in different combinations). The second text is a quotation taken from the interview {\textquoteleft}Dos Galer{\'i}as y una Feliza{\textquoteright} by Gloria Valencia de Casta{\~n}o, El Tiempo, Bogot{\'a}: abril 27 de 1972, p. 7B. Feliza Bursztyn [ fe 'li θa βur s θ t 'y n ] El Arte es experimento [ el 'ar te es eks pe ri 'meN to ] ",

author = "Camilo Mendez",

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N2 - Minimáquina III exists in two different forms as a DUO & as a QUINTET. Therefore, it can be performed as a DUO consisting of ‘prepared’ soprano voice & prepared flute without pianists; or as a QUINTET. The piece was composed using two texts in Spanish: ‘Feliza Bursztyn’ & ‘El Arte es experimento’ (Eng. Art is experiment). The name FE-LI-ZA BU- UR-SZ-TYN was fragmented, the sounds & syllables were used as musical materials (in different combinations). The second text is a quotation taken from the interview ‘Dos Galerías y una Feliza’ by Gloria Valencia de Castaño, El Tiempo, Bogotá: abril 27 de 1972, p. 7B. Feliza Bursztyn [ fe 'li θa βur s θ t 'y n ] El Arte es experimento [ el 'ar te es eks pe ri 'meN to ]

AB - Minimáquina III exists in two different forms as a DUO & as a QUINTET. Therefore, it can be performed as a DUO consisting of ‘prepared’ soprano voice & prepared flute without pianists; or as a QUINTET. The piece was composed using two texts in Spanish: ‘Feliza Bursztyn’ & ‘El Arte es experimento’ (Eng. Art is experiment). The name FE-LI-ZA BU- UR-SZ-TYN was fragmented, the sounds & syllables were used as musical materials (in different combinations). The second text is a quotation taken from the interview ‘Dos Galerías y una Feliza’ by Gloria Valencia de Castaño, El Tiempo, Bogotá: abril 27 de 1972, p. 7B. Feliza Bursztyn [ fe 'li θa βur s θ t 'y n ] El Arte es experimento [ el 'ar te es eks pe ri 'meN to ]

M3 - Composition

PB - Blueridge Chamber Music Festival

T2 - Blueridge Chamber Music Festival

Y2 - 16 August 2019

ER -

BURSZTYN VI: Minimaquina IIIb

Abstract

UN SDGs

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