Borderscape, Exile, Trafficking: The Geopoetics of Ying Liang’s A Family Tour and Bai Xue’s The Crossing

Keyphrases

• Hong Kong 100%
• Exile 100%
• Geopoetics 100%
• Borderscapes 100%
• Filmmakers 60%
• Cold War 40%
• China 20%
• Chinese Women 20%
• Identity Politics 20%
• One Country Two Systems 20%
• Husband 20%
• Mainland Chinese 20%
• Subversive 20%
• Cinema 20%
• Border Crossing 20%
• Real-world Experience 20%
• High Autonomy 20%
• Geopolitics 20%
• Taipei 20%
• HKSAR 20%
• World Order 20%
• Dissidents 20%
• Misperception 20%
• Film Festivals 20%
• Imaginaries 20%
• Affection 20%
• Out-of-position 20%
• Individual Identity 20%
• Smuggling 20%
• Schoolgirls 20%
• Territorial Borders 20%
• Ideological Divide 20%
• Chinese Communism 20%
• Women Directors 20%
• Physical Borders 20%
• Border Thinking 20%
• Moral Boundaries 20%
• Diasporic Identity 20%
• Mass murder 20%
• Cinematic Expression 20%
• Socio-political Dynamics 20%
• Cinematic Storytelling 20%
• Own Home 20%
• New Cold War 20%
• Western Liberalism 20%
• Political Allegiance 20%

Arts and Humanities

• Hong Kong 100%
• Exile 100%
• Geopoetics 100%
• Cold War 60%
• filmmaker 60%
• China 20%
• Identity Politics 20%
• Moral 20%
• Narrative Method 20%
• Subjective 20%
• Dynamics 20%
• Shanghai 20%
• Subversives 20%
• Discourse 20%
• Geopolitics 20%
• Expression 20%
• Misunderstanding 20%
• Feelings 20%
• Real Life 20%
• On-set 20%
• Internalization 20%
• Adolescence 20%
• Craft 20%
• Homeland 20%
• Film Festivals 20%
• Debut 20%
• allegiance 20%

Social Sciences

• Hong Kong 100%
• Exile 100%
• Chinese 80%
• Cold War 60%
• China 20%
• Autonomy 20%
• Narrative Method 20%
• Discourse 20%
• Emotions 20%
• International Politics 20%
• Occupational Career 20%
• Internalization 20%
• World Order 20%
• Festival 20%
• Communism 20%
• Homeland 20%
• Identity Politics 20%