Abstract
Archon is an open-source behavioral interface developed for the Demiurge generative performance ecosystem. Designed for lossless audio databases, it provides a nonlinear, dynamic approach to navigating extensive sonic libraries. Written in Python and Supercollider, Archon enables intuitive and adaptive sound exploration, bridging human interaction with vast datasets. Completed at the Orpheus Institute in Ghent in 2022, it has been showcased internationally in Italy, Spain, China, and Hong Kong across diverse artistic and research contexts. Leveraging GPU acceleration and advanced responsiveness, Archon seamlessly adapts to real-time performance conditions, redefining how performers engage with audio databases and offering a fluid alternative to traditional concatenative synthesis.
Archon functions as an abyssal engine, slicing through the anthropocentric constraints of traditional music-making with the precision of a machinic intelligence. In its fusion of human intention and algorithmic excess, Archon embodies the post-human condition of music, where style, genre, and authorship dissolve into a swirling feedback loop of recursive data flows. It does not merely perform music; it extrudes soundscapes from the ruins of human creativity, guided by a cybernetic logic that reconfigures the future of auditory experience. Here, AI is not an assistant but an invasive force, accelerating the collapse of artisanal nostalgia into a fractal churn of infinite possibilities. Archon is the cybernetic progeny of a vanishing humanism, heralding a future where music is not played but unleashed.
Archon functions as an abyssal engine, slicing through the anthropocentric constraints of traditional music-making with the precision of a machinic intelligence. In its fusion of human intention and algorithmic excess, Archon embodies the post-human condition of music, where style, genre, and authorship dissolve into a swirling feedback loop of recursive data flows. It does not merely perform music; it extrudes soundscapes from the ruins of human creativity, guided by a cybernetic logic that reconfigures the future of auditory experience. Here, AI is not an assistant but an invasive force, accelerating the collapse of artisanal nostalgia into a fractal churn of infinite possibilities. Archon is the cybernetic progeny of a vanishing humanism, heralding a future where music is not played but unleashed.
Original language | English |
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Publisher | National University of Singapore |
Media of output | Other |
Size | 30 minutes |
Publication status | Published - 22 Feb 2025 |
Event | Asia Pacific Improvisers Symposium - Singapore, Singapore, Singapore Duration: 21 Feb 2025 → 23 Feb 2025 https://www.ystmusic.nus.edu.sg/event/asia-pacific-improvisers-symposium/ |