Animals, Ethnic Minorities, and Ecological Concerns in Chinese Digital Cinema

Kwai Cheung Lo

doi:10.1007/978-981-13-6685-7_11

Animals, Ethnic Minorities, and Ecological Concerns in Chinese Digital Cinema

Research output: Chapter in book/report/conference proceeding › Chapter › peer-review

Abstract

This chapter discusses how the animal issue has been appropriated in eco-politics in relation to the ethnic borderlands by studying several eco-films made by Western, Han, and ethnic directors, and argues that ecological problems mean more than toxicity and waste, but the transformation of spatio-temporal experiences brought by digital technology.

Original language	English
Title of host publication	Chinese Shock of the Anthropocene
Subtitle of host publication	Image, Music and Text in the Age of Climate Change
Editors	Kwai Cheung Lo, Jessica Yeung
Place of Publication	Singapore
Publisher	Palgrave Macmillan
Chapter	11
Pages	225–248
Number of pages	24
Edition	1st
ISBN (Electronic)	9789811366857
ISBN (Print)	9789811366840, 9789811366871
DOIs	https://doi.org/10.1007/978-981-13-6685-7_11
Publication status	Published - 8 May 2019

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10.1007/978-981-13-6685-7_11

Cite this

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abstract = "This chapter discusses how the animal issue has been appropriated in eco-politics in relation to the ethnic borderlands by studying several eco-films made by Western, Han, and ethnic directors, and argues that ecological problems mean more than toxicity and waste, but the transformation of spatio-temporal experiences brought by digital technology.",

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Animals, Ethnic Minorities, and Ecological Concerns in Chinese Digital Cinema. / Lo, Kwai Cheung.
Chinese Shock of the Anthropocene: Image, Music and Text in the Age of Climate Change. ed. / Kwai Cheung Lo; Jessica Yeung. 1st. ed. Singapore: Palgrave Macmillan, 2019. p. 225–248.

Research output: Chapter in book/report/conference proceeding › Chapter › peer-review

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Animals, Ethnic Minorities, and Ecological Concerns in Chinese Digital Cinema

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