This chapter discusses how the animal issue has been appropriated in eco-politics in relation to the ethnic borderlands by studying several eco-films made by Western, Han, and ethnic directors, and argues that ecological problems mean more than toxicity and waste, but the transformation of spatio-temporal experiences brought by digital technology.
|Title of host publication||Chinese Shock of the Anthropocene|
|Subtitle of host publication||Image, Music and Text in the Age of Climate Change|
|Editors||Kwai Cheung Lo, Jessica Yeung|
|Place of Publication||Singapore|
|Number of pages||24|
|Publication status||Published - 8 May 2019|