Abstract
The present study offers a new reading of the Wangjiatai Gui cang’s pure yin hexagram text. I make a comprehensive analysis of the composition and layered texture of the text, by employing a methodology to engage with its images and narratives at an emic level. I determine that there is an iconographic resemblance between the hexagram picture and the graph writing its name, identify an image program centered on being “alone”, “inhumanity”, and “water”, and provide a context for the independent but interlocking narratives of Xia king Qi and Gong gong. Taken together, evidence points to Gua 寡 “Alone” as the candidate with the lowest odds among various proposals for the hexagram’s name. The overall meaning of “Alone” is that being bad, self-serving, and immoral will lead to one being divested of spiritual blessings and support of the people. The image of water in the two narratives is a metaphor for wantonness that also functions as a conduit for its disposal.
| Original language | English |
|---|---|
| Pages (from-to) | 227-262 |
| Number of pages | 36 |
| Journal | Bamboo and Silk |
| Volume | 5 |
| Issue number | 2 |
| DOIs | |
| Publication status | Published - Sept 2022 |
User-Defined Keywords
- Wangjiatai Gui cang
- Warring States use of the Changes
- divination
- pure yin hexagram
- 王家臺《歸藏》
- 戰國《易》學
- 占卜
- 純陰卦
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