Aberrant Aesthetic in Chinese Contemporary Art: Weirdness in Chen Tianzhuo’s An Atypical Brain Damage and Lu Yang’s Delusional World

Gabriel Remy-Handfield

Aberrant Aesthetic in Chinese Contemporary Art: Weirdness in Chen Tianzhuo’s An Atypical Brain Damage and Lu Yang’s Delusional World

Gabriel Remy-Handfield^*

^*Corresponding author for this work

Academy of Language and Culture

Research output: Contribution to conference › Conference paper › peer-review

Original language	English
Publication status	Published - Jun 2022
Event	The Annual Meeting of the American Comparative Literature Association, ACLA 2022 - Virtual, Virtual Duration: 15 Jun 2022 → 18 Jun 2022 https://www.acla.org/sites/default/files/files/ACLA_Program.pdf (Link to conference programme)

Conference

Conference	The Annual Meeting of the American Comparative Literature Association, ACLA 2022
City	Virtual
Period	15/06/22 → 18/06/22
Internet address	https://www.acla.org/sites/default/files/files/ACLA_Program.pdf (Link to conference programme)

Cite this

@conference{4d9d73c425a14c1e93b374efea070f96,

title = "Aberrant Aesthetic in Chinese Contemporary Art: Weirdness in Chen Tianzhuo{\textquoteright}s An Atypical Brain Damage and Lu Yang{\textquoteright}s Delusional World",

author = "Gabriel Remy-Handfield",

year = "2022",

month = jun,

language = "English",

note = "The Annual Meeting of the American Comparative Literature Association, ACLA 2022 ; Conference date: 15-06-2022 Through 18-06-2022",

url = "https://www.acla.org/sites/default/files/files/ACLA\_Program.pdf",

}