Skip to main navigation
Skip to search
Skip to main content
Hong Kong Baptist University Home
Help & FAQ
Home
Scholars
Departments / Units
Research Output
Projects / Grants
Prizes / Awards
Activities
Press/Media
Student theses
Datasets
Search by expertise, name or affiliation
A Revisionist Reading of
The Goddess
: Visual Narrative Power in Chinese Silent Cinema
Kenny K. K. Ng
*
*
Corresponding author for this work
Academy of Film
Research output
:
Contribution to journal
›
Journal article
›
peer-review
Overview
Fingerprint
Fingerprint
Dive into the research topics of 'A Revisionist Reading of
The Goddess
: Visual Narrative Power in Chinese Silent Cinema'. Together they form a unique fingerprint.
Sort by:
Weight
Alphabetically
Arts & Humanities
Narrative Power
100%
Silent Cinema
94%
Visual Narrative
82%
Revisionist
65%
Goddess
65%
Aesthetics
33%
Hollywood
30%
Filmmaker
30%
Chinese Cinema
23%
Political Reading
22%
Social Commentary
21%
Approaches to Studying
21%
Film Narrative
20%
Stardom
20%
Narrative Style
20%
Montage
18%
Melodrama
18%
Shanghai
18%
Leftist
17%
Film Industry
17%
Filmmaking
16%
Contestation
16%
Political Discourse
16%
Social Reality
16%
Discourse
14%
Pursuit
13%
Affective
12%
Nationalists
12%
Agenda
12%
Manifestation
11%
1930s
11%
Paradigm
11%
Economics
8%
Language
6%
Social Sciences
cinema
73%
narrative
38%
aesthetics
23%
melodrama
20%
film industry
17%
social reality
13%
social economics
11%
paradigm
8%
discourse
6%