Abstract
以艺术之名再谈“美学”已过时？美学已不再重要？近年，艺术和‘美’之间的探讨已很少再在当代艺术范畴里进行深入研究，虽然每个人的日常生活中无时无刻还是存在着对“美”的心灵显现与触动。美学是理论思维的结晶，也是理论探讨的支点，而中西美学则由于文化背景之差异性，呈现出两种截然不同的面貌。这次戴耘的《水·磨·石》中对“物”的返璞归真，试图重塑由中西美学的不同经验所涉及的“美学”的本质。
| Translated title of the contribution | Reconstructing the Aesthetic View: Water-Sharpen-Stone, Dai Yun |
|---|---|
| Original language | Multiple languages |
| Pages (from-to) | 56-61 |
| Number of pages | 6 |
| Journal | 画廊 |
| Issue number | 289 |
| Publication status | Published - Dec 2022 |
User-Defined Keywords
- Aesthetics
- Sculptures
- Contemporary Art
- Phoenomenology
- aethetic phoenomenon